![]() Better to dip in and out, and approach it like a trio of EPs thrown into a shuffled playlist. Breakthrough splatters so many short ideas across its 47 minutes that a front-to-back listen is wearying, like hearing a dozen erratic interludes mixed in with a handful of lengthier sketches that are no more settled. The likes of Shigeto, Samiyam, and Daedelus also assist, but the most fruitful collaboration comes from Miguel Atwood-Ferguson, whose suspenseful strings and Wurlitzer work on "Flange Face" is magnetic and petrifying. It has high energy and is not very danceable with a time signature of 4 beats per bar. The track runs 1 minute and 47 seconds long with a E key and a major mode. It can also be used half-time at 66 BPM or double-time at 264 BPM. "Dead Vets," made with Adrian Younge, is nightmarish funk with a gnashing beat, somewhere between an amateur David Axelrod cover band and early Funkadelic. Keep It Simple Stupid is a song by The Gaslamp Killer with a tempo of 132 BPM. The psych-folk freak-out "Apparitions," featuring Gonjasufi, sways drunkenly with random organ filigrees. ![]() He takes the trip with several past and new recording partners. Whipping through these mostly brief tracks, whether in order or at random, one gets the sense that Bensussen is everlastingly scatterbrained with a voracious musical appetite, regardless of origin, from east to west, whether it came from a Turkish opium den or a Midwestern U.S. Breakthrough is the first studio album by American alternative-hip hop producer The Gaslamp Killer. Albania, Algeria, American Samoa, Andorra, Angola, Anguilla, Antigua and Barbuda, Argentina, Armenia, Aruba, Azerbaijan Republic, Bahamas, Bahrain, Bangladesh, Barbados, Belgium, Belize, Benin, Bermuda, Bhutan, Bolivia, Bosnia and Herzegovina, Botswana, Brazil, British Virgin Islands, Brunei Darussalam, Bulgaria, Burkina Faso, Burundi, Cambodia, Cameroon, Cape Verde Islands, Cayman Islands, Central African Republic, Chad, Chile, China, Colombia, Comoros, Cook Islands, Costa Rica, Cyprus, Czech Republic, Côte d'Ivoire (Ivory Coast), Democratic Republic of the Congo, Denmark, Djibouti, Dominica, Dominican Republic, Ecuador, Egypt, El Salvador, Equatorial Guinea, Eritrea, Estonia, Ethiopia, Falkland Islands (Islas Malvinas), Fiji, Finland, French Guiana, French Polynesia, Gabon Republic, Gambia, Georgia, Ghana, Gibraltar, Greece, Greenland, Grenada, Guadeloupe, Guam, Guatemala, Guernsey, Guinea, Guinea-Bissau, Guyana, Haiti, Honduras, Hong Kong, Hungary, Iceland, India, Indonesia, Iraq, Israel, Jamaica, Japan, Jersey, Jordan, Kazakhstan, Kenya, Kiribati, Kuwait, Kyrgyzstan, Laos, Latvia, Lebanon, Lesotho, Liberia, Liechtenstein, Lithuania, Luxembourg, Macau, Macedonia, Madagascar, Malawi, Malaysia, Maldives, Mali, Malta, Marshall Islands, Martinique, Mauritania, Mauritius, Mayotte, Mexico, Micronesia, Moldova, Monaco, Mongolia, Montenegro, Montserrat, Morocco, Mozambique, Namibia, Nepal, Netherlands Antilles, New Caledonia, New Zealand, Nicaragua, Niger, Nigeria, Niue, Norway, Oman, Pakistan, Palau, Panama, Papua New Guinea, Paraguay, Peru, Philippines, Poland, Portugal, Puerto Rico, Qatar, Republic of Croatia, Republic of the Congo, Reunion, Romania, Rwanda, Saint Helena, Saint Kitts-Nevis, Saint Lucia, Saint Pierre and Miquelon, Saint Vincent and the Grenadines, San Marino, Saudi Arabia, Senegal, Serbia, Seychelles, Sierra Leone, Singapore, Slovakia, Slovenia, Solomon Islands, South Africa, South Korea, Sri Lanka, Suriname, Svalbard and Jan Mayen, Swaziland, Sweden, Taiwan, Tajikistan, Tanzania, Thailand, Togo, Tonga, Trinidad and Tobago, Tunisia, Turkey, Turkmenistan, Turks and Caicos Islands, Tuvalu, Uganda, United Arab Emirates, Uzbekistan, Vanuatu, Vatican City State, Venezuela, Vietnam, Virgin Islands (U.S.Breakthrough, William Bensussen's first album as the Gaslamp Killer, provides more of the left-field beat psychedelia he offered through his 2009-2010 Brainfeeder EPs, his production work on Gonjasufi's A Sufi and a Killer, and all of his other collaborative work dating back to 2006's "Cadillac Steeze" (recorded with Blu under the name Bobby Johnson).
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